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In a world where 10 billion screens outnumber people, cultures are shifting from producing goods to fabricating content. All Watched Over By Machines of Loving Grace, the 150 piece collection critiques the dehumanizing effects of technology by portraying how we are drowning in screens.
Taking its title from the 1967 Richard Brautigan poem (later used by Adam Curtis' docuseries), the collection evokes the scale and orderliness of mass production by revisiting the visual language of industrial photography and artists such as Burtynsky and Gursky, creating an allegorical update for an era dominated by data and screens. By transforming the digital consumer into a factory worker, the collection metaphorically depicts this new form of secret labor that merges creation and consumption. Each piece underscores how technology, rather than liberating us, has become a tool for control and entrapment.
Curated by Tender, released on Verse, Manufactured Transcendence is a 50-piece series that provokes a confrontation with the new age of spiritualism, offering no easy answers. The works create a paradoxical view, blurring the lines between past and present, superficial and revelatory, devout and detached. The collection invite us to explore the contradictory and commodified landscapes of contemporary spirituality, in an age dominated by consumerism, hedonism, and superficiality.
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Strata is a highly acclaimed 999-piece AI art collection reflecting our complex and multifaceted relationship with the world around us. It is a metaphorical look at the evolution and overload of our habitat in a mindbending way. Strata invites viewers to explore the interplay between the literal and the symbolic, the organic and the structured, and the micro and the macro perspectives, blurring the lines between photographic image, aerial views, and abstraction. Each piece in the collection defies traditional visual boundaries, bending minds and warping perceptions, playing with the viewer's sense of scale, depth, and reality. The artworks disrupt conventional perspectives, forcing a reassessment of viewpoint and context, leading to a transformative visual experience
"Overpopulated Symphonies" is a thought-provoking AI post-photography collection released through Fellowship. The 300 piece collection that aims to provide an immersive visual commentary on the contemporary human condition. The collection captures sprawling images of densely populated urban landscapes and human gatherings. Each image is a panorama of humanity, where individuals are reduced to tiny points, transforming into an overwhelming sea of indistinguishable dots.
Beyond the literal portrayal of overpopulation, this collection uses the metaphor of crowd density as an analogy for the inundation of information in our modern era. It raises questions about identity, individuality, and the struggle of the human mind to process and prioritize the relentless surge of data we face every day. The people in these photographs are not just physical bodies, but representations of thoughts, ideas, and information, all fighting for space and recognition within the confines of our mental landscapes. As humans turning into dots witin a chaotic system, the pieces serves as a visual allegory for information overload.
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